Thursday, April 23, 2009
Politics: Daily Mail editor, Paul Dacre before the Media Select Committee
Paul Dacre, the editor of the Daily Mail, today sat before the Media Select Committee, flanked by his managing director, Robin Esser, whose only contributions were to stop Dacre digging himself into a hole. It certainly was a revealing meeting, with Dacre perched on the edge of his seat throughout, and he appeared to be slightly nervous in the proceedings. He constantly, and seemingly genuinely, defended the Press Complaints Commission, and repeatedly declared he would "die in a ditch" to defend the right of the News of the World and others to publish salacious details of people's private lives, so long as it was in the public interest, which he defined as what interests the public.
Below are some quotes and exchanges between Dacre, and the panel, although it must be stressed, that as with my last post, most of these will not be verbatim, but I make a genuine attempt to paraphrase the parties in context, and to maintain the spirit of what they said.
On a side note, I was stopped by no fewer than five officials (Westminster employees and police) on my way to the meeting, enquiring, with an air of suspicion, what my business was there. The fact that I was going to a committee meeting, as opposed to a tour, or observing the Commons seemed to be even more bizarre to them. There is a constant defence of a heavy police presence at a vicinity should make one 'feel safe,' but I didn't. I was getting increasingly paranoid that one of them was going to arrest me. I will add that as many officials offered help, and carried out their duties admirably. Still, I was carrying out my citizenry duty by observing the gears of democracy, and I was made to feel uneasy about the process.
Paul Dacre: I've been a journalist for over forty years, and I have never known chillier times for freedom of the press.
PD: There have been two well-intentioned pieces of legislation which, when combined, have proved to be lethal for the press. The legislation on Conditional Fee Agreements, and the Human Rights Act (HRA). Conditional Fee Arrangements (CFAs) allow lawyers to use unscrupulous methods, such as doubling their legal fees, and drawing out proceedings to keep raising these fees. In one case, the Mail on Sunday (MoS) was sued by Martin Jones MP, and lost the case. The damages payable to Mr Jones was approximately £5000, but the legal fees, plus the cost of the increase of insurance amounted to £520,000.
Every day we are not going as far into a story as we used to, and we settle earlier to avoid legal costs - legal costs that would be so high that they would bankrupt provincial newspapers.
The hourly rate for a lawyer in defamation cases is £650, when up-priced under the CFAs, it becomes £1300. Why does it cost four times as much to defend somebody's damaged reputation than it does to defend somebody from life imprisonment.
Paul Farrelly MP: Is the cherry-picking of cases by the lawyers turning CFAs from 'No Win, No Fee', to 'Always win, double fee'?
PD: Yes.
PD: The amount of letters we receive from libel lawyers would amount to deforestation, and from overseas clients that would have been unlikely to have read the stories. I would be astonished if it were not the case that Carter-Ruck and Schillings are actively touting for custom, and ambulance-chasing rich overseas clients.
Rosemary McKenna MP: Is it truly 'privacy law through the back door,' as you believe, or are the courts simply applying the HRA effectively?
PD: The Human Rights Act was well-intentioned, after all, who could deny human rights to anyone. But when it is combined with the CFAs, it is exploited by the rich. Before 1998 [when the HRA came into force], the European Convention on Human Rights (ECHR) was never used against the press -even during the eighties, when the press behaviour was at its worse. The problem with the HRA is that it enables the judges to interpret the law from the European Court of Human Rights, which gives more weight to privacy than press freedom.
PD: The opinion within the press is why is it that one judge, Justice Eady presides over most privacy cases. He has a history of trying to impose privacy laws in the 80s, and has been known in speeches to make sneering attacks on tabloids and individual journalists. I personally feel that judges are arrogant and make amoral decisions. In one case, a man whose wife was seduced by a sports star, was not allowed to sell his story, because of the breach of privacy of the sports star's wife. The adulterer had his rights respected above the wronged man.
PD: For Max Mosley to present himself in front of this committee as a white knight is against civilised society, it is akin to the Yorkshire Ripper taking a stand against violence against women. If he had asked his wife, or neighbour, to dress him up in army uniform and smack him, it would not be an issue that would interest the papers, but he paid a mistress to provide him with women to smack. There is a direct line between that and the trafficked women in the 'massage parlours,' who are exploited and degraded - one legitimises the other. Mosley's status as head of Formula 1, a sport watched by millions of people around the world, presented a greater justification for the running of the story.
He is quick to point out that it was not his paper that broke the Mosley story when an MP suggests that it was. Later on in the session he is asked if the Mosley story was 'put in his lap' would he have run with it.
PD: We are a family newspaper, so no we wouldn't have broke the story.
PD: [privileged] judges don't understand what is in the public interest, what is the public interest should be decided by the public.
Dacre didn't actually use the word privileged, but his description of them, which I failed to note, certainly intimated that impression
PD: I am not aware of journalists at The Daily Mail paying for access to medical records. There was an incident some years back, where we used an agency to provide us with access to addresses and other details of individuals via the Electoral Register, a legal process. The agency was used by other news organisations, and there was no indication that they were accessing people's medical records. Following concerns raised by the Information Commissioner, we banned the use of the agency, and trained our staff accordingly, and the PCC changed the code. I can't think of more rigourous measures we could have taken in the circumstances.
PD: I would like to think that headlines in the Mail are not deliberately misleading compared to the body of the aticle. The PCC guidelines insist that the body of the article must be accurate.
Whittingdale MP quoted an example from Nick Davies' book, Flat Earth News, about a detail from Anne Frank's diary that was analysed with the headline, "Did Anne Frank's father betray her?". The body of the article made very little reference to this statement, and the only redress was a letter published a week later, on page 68.
PD: I regret that happened, mistakes happen within the pressures of running a daily newspaper.
He is asked why the paper campaigns against government intrusion into privacy, yet wants the power for the press to do so.
PD: The PCC code has strict boundaries of privacy regarding family life, health etc. I hope that these are only broached if it in the public interest to do so. If I get this wrong, you can take me to court.
At this point, Robin Esser quickly prompts him to say, "or don't buy the paper," which Dacre quickly repeats.
He is then asked about the unflattering appraisal of the Mail, again from Nick Davies' book, which calls it 'spiteful' and 'aggressive' among other things.
PD: Mr Davies is a very good journalist, and I have paid him well to write for me, but I think the criteria on which he measures our paper is flawed. He writes for the Gaurdian, and like most of their writers feels like they are the only people who can take the moral high ground. His book didn't take basic journalistic steps such as fact-check or offer a right of reply to the people he criticised. I don't believe we are a 'spiteful' newspaper, but we are aggressive, and are passionate about the interests of our readers.
He is asked if investigative journalism is suffering in journalism today.
PD: In provincial presses, yes, and also in some of the national titles that do not have sufficient resources. I refute that charge against the Mail however, we are famous, and infamous, for looking behind the press releases to uncover the spin. Spending on journalism today is a great as ever, despite the financial troubles of the industry.
He is asked about the supposed dichotomy of public interest versus what interests the public, particularly in regard to boiling stories down to individual accounts.
PD: There is a patronising element to this question. All stories are personal, and telling stories through people is an effective way to explain dry and complicated stories. Politicians and celebrities like to personalise their lives to reach out to the people to whom they are communicating. If you want issues, you can buy the Guardian, if you want titilliation and gossip, buy the Sun or the News of the World, and I'll die in a ditch to defend their right to print that, despite my misgivings, because they have broken some very important stories.
He is asked what went wrong with the McCann case.
PD: I want to point out that the McCann saga was not just confined to newspapers, BBC News and ITN had interviews on the doorsteps of neighbours.
The McCann case was a great news story, and the McCanns went out of their way to seek publicity, understandably so they could increase the chances that they would find their daughter. This created a vortex for some news papers to declare open season. It was compounded by the Portuguese and British police leaking against each other, and this was regrettably picked up by British newspapers. And yes, there was the issue of circulation. I can't remember a story that would positively increase sales the way a McCann headline on the front page would.
He is asked why in other walks of life, such as with social workers, or the police, collective failures are railed against by the press, and calls are made for inquiries, but not in the case of the press' behaviour towards the McCanns.
PD: I can't comment, because I don't believe it was a collective failure. Correct boundaries must be observed, and some newspapers did not observe those boundaries. I sure The Mail has transgressed since the McCann case, but I can't think of an example, and I hope it was not intentional.
He is asked why The Mail published the village where Elizabeth Fritzl was housed.
PD: I was not aware we did that. I'm sure other papers published it also.
You were the first, on March 11.
PD: I'll have to get back to on that. I was unaware of this.
Was this a moral thing to do?
PD: I can't answer that, because I don't what the agencies were doing at the time, or the German newspapers. You [Paul Farrelly MP, a former journalist] know how newspapers operate, I don't see everything that goes into the paper.
But surely you would see the main stories?
PD: I do, but I will get back to on this incident, and sent you a note.
We would appreciate that
He is asked if the presence of newspaper editors on the PCC undermines its authority.
PD: There are 10 lay members, compared to seven editors, so the majority is still independent, and the editors provide valuable insight into the working of newspapers. This is not akin to having a jury that includes members of the defendant's family [a charge levelled by Nick Davies in the previous meeting]. The PCC is a more robust system of self-regulation than exists in Parliament. It is unfair to suggest that newspapers don't take the PCC seriously, because it is a huge shame for an editor to be investigated by the PCC, and its perception has improved steadily since its inception. The journalistic landscape has changed dramatically since the 80s because of the PCC, and it 'blunts the ability of Red Tops to sell papers' [he attributed this quote to someone, but I didn't hear who]. It sickens me to hear the PCC is not independent, the code is organic and changes to reflect society, such as the tightening up of suicide reporting, for example. We want to get it right.
He is asked about the Mail's campaign against MMR.
All papers were concerned about this issue, and there was an expert who was raising concerns about the MMR jab, as well as distressed parents. The Mail primarily felt it was hypocritical of Tony Blair to not disclose whether his son Leo had had the jab, considering he was insisting other parents do it.
He is asked to what extent the Mail fact-checks.
We do not have a process of fact-checking that they have in American newspapers, most British papers don't. Our reporters are professionals, with expert training, and accuracy is extremely important to the process of journalism. I don't see what more we can do.
Wednesday, April 22, 2009
Politics: Media Select committee's meeting with Nick Davies
Yesterday, I sat in on the Media Select Committee's meeting with Nick Davies, author of Flat Earth News, and Roy Greenslade, a Guardian media commentator, having learned about it from Ben Goldacre's Twitterings (@bengoldacre). The meeting has been covered by a Guardian reporter here, but I thought I would put some of the more interesting quotes here.
Paul Dacre is going before the committee tomorrow, and barring unforeseen circumstances, I intend to be there, and should post the results here forthwith.
NB: Very few (if any) of these quotes will be verbatim what the people said, since I can't write in shorthand, but they do represent the general gist of what they were saying.
On libel laws:
Libel law in England and Wales is a means for one to seek redress if a statement has been published which seriously damages the reputation of the victim, without justification (ie it's not true). Obviously this relates to the press since they often print untruths (intentionally or otherwise), and people's reputations or businesses may be irreparably wrecked. However, increasingly, the libel laws in England have been increasingly been used (abused?) by powerful figures to prevent journalists publishing damaging material, which could be considered to be in the public interest, and the heavily punative damages awarded if the figure wins means that newspapers have been reluctant to run with stories for fear of falling foul of a libel writ.
The courts have tried to balance this dilemma over the years, with varying results. The current situation is that journalists can claim the "Reynold's Defence" - basically if they show that they acted responsibly and gave the offended party a right of a reply in a story that is in the public interest, they can be exempt from liability. It is named after the former Irish Prime Minister, Albert Reynolds, in his case against the Times (Reynolds v Times Newspapers Ltd and Others [1999] UKHL 45).
Mike Hall MP asked the specific question as to whether libel laws were still relevant, to which Nick Davies' view was an unequivocal no. His reasoning was that libel writs don't write wrongs as much as they could, and access to justice is still too expensive for the lay person (a term used frequently during the proceedings to describe a person who is not a member of the press, and would not be considered a 'public figure'). Roy Greenslade wasn't so entrenched, although he did say that the libel laws in England and Wales need serious reform.
Nick Davies: 'The Reynolds defence gives licence to print malicious falsehoods, as long as the article prints a denial by the other side.' Davies went to recount a story about how after he published his book, a journalist contacted him about a story they were running concerning the sexual conduct of his wife. The journalist was aware that the story was untrue, but were running with it anyway, with an inclusion of his denial. It was only after Davies made it clear he would go public with this behaviour that the journalist dropped the story. Davies has never been married.
Roy Greenslade: 'I am constantly under threat from publishers and editors of libel action. Journalists are the prime users of the law that they rail against.'
RG: 'Prior notification [to the other side] gives spin doctors the opportunity to sabotage the story, by giving a press conference softening the impact of the story, and denying the journalist their scoop.' The example given here was when ITN had uncovered evidence of the extent of Charles Kennedy's drinking issues. His PRs set up a press conference at around 4pm (two hours before ITN's main evening news broadcast) to change the story from 'I've got a drinking problem,' to 'I'm on top of a drinking problem'. Both Davies and Greenslade commented that prior notification can also be used to blackmail or bribe the subject of the report when the story needs more substance. For example, they can get an exclusive interview from the subject of the story, if they leave out more lurid elements of the story. Frank Bough's name was mentioned as an example of how this was done to the detriment of the subject.
RG: 'When the Guardian was investigating Tesco's overseas tax structures, they tried to do the responsible thing and give Tesco a right of reply. Tesco responded by suing the Guardian for malicious falsehood for getting the exact details of a complex case wrong.' This case was criticised as 'bullying' by the panel, especially since Private Eye was able to provide evidence that tax evasion was taking place, just not in the way the Guardian had alleged. Greenslade said that 'corporations should not be allowed to sue for libel.'
ND: 'The newspapers lawayers, who vet the stories, often play it safe, and advise not running stories - this is the real chilling effect [on free speech].' ... 'Even in a paper such as the Guardian, the lawyers will ask, 'does this person have money,' because if he does, he will sue.'
Conditional Fee Arrangements (CFAs) are a device in law to provide greater access to justice to those who can't afford it. They are commonly known as 'no win, no fee' agreements, whereby the lawyer will not accept payment if they don't win any compensation for the client. To offset this rick (beyond the practice of not taking on risky cases), is that they increase their legal fees, usually by about 100%, which is recoverable from the losing side.
RG: 'Anecdotally, CFAs have been used by rich clients to rachet up the legal fees for the newspapers,' Often, if legal fees increase too rapidly, one side will settle in order to cut their losses, this is often the result in libel cases in journalism.
On the PCC:
The Press Complaints Commission was widely condemned on all quarters, with Greenslade decided that it was useful to have editors on its panel, whereas Davies said there shouldn't be.
ND: 'Having editors on the PCC is akin to having a jury of twelve people, where five of them share commercial and common interests with the accused.'...'The PCC is not sufficiently independent enough to be functional, it is not on the side of readers, it has repeatedly shown its function to be the defence of bad journalistic practice.'
RG: 'The PCC is not proactive enough. The feeding frenzy of the McCanns, and Robert Murat was due to the fact that the PCC was not proactive enough.'
ND: 'The PCC is so weak, it damages the notion of self-regulation.' Davies did go on to say that under its new leadership, the PCC should be given another chance, if only to prevent constant court proceedings for press wrongdoing.
Other Miscellaneous quotes:
ND: 'Journalists told me that they knew that the story of their being bones hidden under a foster home in Jersey was not true, but ran with the crowd anyway, or else they would eventually be marginalised within their newsrooms.'
RG: 'If one paper runs with something, such as revealing where Elizabeth Fritzl was now residing, the others feel that they must catch, or get new details, creating a vicious cycle. The Independent used the defence that the information was already in the public domain, so they published it, rather than criticising the peper for revealing it in the first place.'
Committee member: 'The Austrians called the British press, "Satan's reporters."
RG: 'There is virtue in the probing style of UK journalism, but the fearlessness that drives it should not be turned into recklessness.'
ND: The university courses are more concerned with getting their graduate jobs, so they teach their students how to recreate press releases, as the papers want them to be. There are only about four or five good journalism courses in the UK.
ND: The Courts have a history of being hostile to good journalism. We are suspicious of them.
ND: Paul Dacre has lobbied Gordon Brown to not have prison sentences for breaches of the Data Protection Act, because he wants to plunder people's medical records. However, if he was in hospital with a heart condition, a message would go around Fleet Street to not report it.
RG: Competition should be a good thing, but the bad result of competition in the UK press has resulted in increasingly bad behaviour.
Paul Dacre is going before the committee tomorrow, and barring unforeseen circumstances, I intend to be there, and should post the results here forthwith.
NB: Very few (if any) of these quotes will be verbatim what the people said, since I can't write in shorthand, but they do represent the general gist of what they were saying.
On libel laws:
Libel law in England and Wales is a means for one to seek redress if a statement has been published which seriously damages the reputation of the victim, without justification (ie it's not true). Obviously this relates to the press since they often print untruths (intentionally or otherwise), and people's reputations or businesses may be irreparably wrecked. However, increasingly, the libel laws in England have been increasingly been used (abused?) by powerful figures to prevent journalists publishing damaging material, which could be considered to be in the public interest, and the heavily punative damages awarded if the figure wins means that newspapers have been reluctant to run with stories for fear of falling foul of a libel writ.
The courts have tried to balance this dilemma over the years, with varying results. The current situation is that journalists can claim the "Reynold's Defence" - basically if they show that they acted responsibly and gave the offended party a right of a reply in a story that is in the public interest, they can be exempt from liability. It is named after the former Irish Prime Minister, Albert Reynolds, in his case against the Times (Reynolds v Times Newspapers Ltd and Others [1999] UKHL 45).
Mike Hall MP asked the specific question as to whether libel laws were still relevant, to which Nick Davies' view was an unequivocal no. His reasoning was that libel writs don't write wrongs as much as they could, and access to justice is still too expensive for the lay person (a term used frequently during the proceedings to describe a person who is not a member of the press, and would not be considered a 'public figure'). Roy Greenslade wasn't so entrenched, although he did say that the libel laws in England and Wales need serious reform.
Nick Davies: 'The Reynolds defence gives licence to print malicious falsehoods, as long as the article prints a denial by the other side.' Davies went to recount a story about how after he published his book, a journalist contacted him about a story they were running concerning the sexual conduct of his wife. The journalist was aware that the story was untrue, but were running with it anyway, with an inclusion of his denial. It was only after Davies made it clear he would go public with this behaviour that the journalist dropped the story. Davies has never been married.
Roy Greenslade: 'I am constantly under threat from publishers and editors of libel action. Journalists are the prime users of the law that they rail against.'
RG: 'Prior notification [to the other side] gives spin doctors the opportunity to sabotage the story, by giving a press conference softening the impact of the story, and denying the journalist their scoop.' The example given here was when ITN had uncovered evidence of the extent of Charles Kennedy's drinking issues. His PRs set up a press conference at around 4pm (two hours before ITN's main evening news broadcast) to change the story from 'I've got a drinking problem,' to 'I'm on top of a drinking problem'. Both Davies and Greenslade commented that prior notification can also be used to blackmail or bribe the subject of the report when the story needs more substance. For example, they can get an exclusive interview from the subject of the story, if they leave out more lurid elements of the story. Frank Bough's name was mentioned as an example of how this was done to the detriment of the subject.
RG: 'When the Guardian was investigating Tesco's overseas tax structures, they tried to do the responsible thing and give Tesco a right of reply. Tesco responded by suing the Guardian for malicious falsehood for getting the exact details of a complex case wrong.' This case was criticised as 'bullying' by the panel, especially since Private Eye was able to provide evidence that tax evasion was taking place, just not in the way the Guardian had alleged. Greenslade said that 'corporations should not be allowed to sue for libel.'
ND: 'The newspapers lawayers, who vet the stories, often play it safe, and advise not running stories - this is the real chilling effect [on free speech].' ... 'Even in a paper such as the Guardian, the lawyers will ask, 'does this person have money,' because if he does, he will sue.'
Conditional Fee Arrangements (CFAs) are a device in law to provide greater access to justice to those who can't afford it. They are commonly known as 'no win, no fee' agreements, whereby the lawyer will not accept payment if they don't win any compensation for the client. To offset this rick (beyond the practice of not taking on risky cases), is that they increase their legal fees, usually by about 100%, which is recoverable from the losing side.
RG: 'Anecdotally, CFAs have been used by rich clients to rachet up the legal fees for the newspapers,' Often, if legal fees increase too rapidly, one side will settle in order to cut their losses, this is often the result in libel cases in journalism.
On the PCC:
The Press Complaints Commission was widely condemned on all quarters, with Greenslade decided that it was useful to have editors on its panel, whereas Davies said there shouldn't be.
ND: 'Having editors on the PCC is akin to having a jury of twelve people, where five of them share commercial and common interests with the accused.'...'The PCC is not sufficiently independent enough to be functional, it is not on the side of readers, it has repeatedly shown its function to be the defence of bad journalistic practice.'
RG: 'The PCC is not proactive enough. The feeding frenzy of the McCanns, and Robert Murat was due to the fact that the PCC was not proactive enough.'
ND: 'The PCC is so weak, it damages the notion of self-regulation.' Davies did go on to say that under its new leadership, the PCC should be given another chance, if only to prevent constant court proceedings for press wrongdoing.
Other Miscellaneous quotes:
ND: 'Journalists told me that they knew that the story of their being bones hidden under a foster home in Jersey was not true, but ran with the crowd anyway, or else they would eventually be marginalised within their newsrooms.'
RG: 'If one paper runs with something, such as revealing where Elizabeth Fritzl was now residing, the others feel that they must catch, or get new details, creating a vicious cycle. The Independent used the defence that the information was already in the public domain, so they published it, rather than criticising the peper for revealing it in the first place.'
Committee member: 'The Austrians called the British press, "Satan's reporters."
RG: 'There is virtue in the probing style of UK journalism, but the fearlessness that drives it should not be turned into recklessness.'
ND: The university courses are more concerned with getting their graduate jobs, so they teach their students how to recreate press releases, as the papers want them to be. There are only about four or five good journalism courses in the UK.
ND: The Courts have a history of being hostile to good journalism. We are suspicious of them.
ND: Paul Dacre has lobbied Gordon Brown to not have prison sentences for breaches of the Data Protection Act, because he wants to plunder people's medical records. However, if he was in hospital with a heart condition, a message would go around Fleet Street to not report it.
RG: Competition should be a good thing, but the bad result of competition in the UK press has resulted in increasingly bad behaviour.
Monday, March 30, 2009
Modest Mouse at Royal Albert Hall - 23 May 2007
The Egodeity had assumed he had mirrored this from his Last.fm site at the time, but it appears not, so here is a belated review of a Modest Mouse gig from the Albert Hall in 2007. (original post and comments here). All incidents with italicised square brackets are comments added in this post, with the full benefit of sober hindsight.
I didn't turn up to the venue until 20:30, so I missed the support act, who I had kind of wanted to see because I was trying to figure out why his name was so vaguely familiar. (I have subsequently discovered it was probably because he was the most notable figure in Tracey Emin's tent).
Any way, it did mean I was free to worm my way into a decent spot on the floor - right in front of Johnny Marr, as it turned out. And the band fashionably kept the crowd waiting for about fifteen minutes before storming with Paper Thin Walls as the opener.
A lot has been made of the sound quality -or lack thereof for a rock band to be playing in the RAH. I assumed the vocals were inaudible to me because of the fact I was right underneath Johnny Marr'sspeakers[monitors], but even when Isaac spoke between songs I could barely make out a word he said. Again, I assumed that's because he was too close to the mic, but surely someone of his experience doesn't make a schoolboy like that. The few things I did hear was him asking the guys at the top at the back (where, incidentally, a couple of my friends were sitting) if they could see/hear (?), and a rebuttal of the thought of playing Freebird (I take it that's becoming a running gag now). The crowd around me were shouting to have the vocals turned up, and they would have been within earshot of the band, and I think they did try to address it onstage, but there's only a limit with what you can do with amp levels.
The venue itself was pretty grandiose, but even as we were walking from the Tube station, we were thinking that alternative bands wouldn't exactly be queuing for a spot at that venue. There were posters for Simply Red's comeback. The sandwich bar had been converted into a criminally overpriced bar - £2.90 for a 285ml bottle of Carling, which was the cheapest drink by a long way. Then you weren't allowed to take them into any of the seating areas.
The first thing that struck me when I got to the floor was the fact that the security was barley visible (I actually didn't even know there was any until near the end). The crowd were really well-behaved as far as crowds go, with only one major incident during the encore. I couldn't see what happened, but Isaac stepped in [to confront the security], and he was still visibly angry when he was leaving the stage [slash being ushered backstage by the rest of the band]. My friends from the back said they thought he was trying to help a fan who was being manhandled by security.
Most of the set list was made up of We Were Dead..., and Good News... songs, but they did hold up the earlier stuff as well (just happened that it wasn't the songs I was hoping for, but they aren't my trained monkeys, so I'll live).
The band were so tight, especially the two drummers. At some points they were even sharing the same drumkit.
Johnny was made the star of the show by the photogs in front of the barrier. For about ten minutes at the start there was about five fixed solely on him, and none even on Isaac. Isaac went crazy during Doin the Cockroach, and started screaming into his guitar's pickup - which must have worked because I could hear him almost as well as with his mic [I subsequently learned that it was Tiny Cities Made of Ashes that inspired him to scream into his pickup].
The floor beneath me was trembling under the weight of synchronised jumping during Float On, and the crowd was in good spirits throughout. Before the band came on, the seated crowd managed to get a Mexican Wave going.
The band played a good hour and a half set, and you could see they up for the event, but the sound quality did ruin it for a lot of people (some even left early, according to their reviews. For me, it was the first time I had seen the Mouse, and was prejudiced to enjoy it no matter what and that served me well. Good Show.
Sunday, March 29, 2009
Isaac Brock from Modest Mouse giving shit right back to a wanker in the crowd
The Egodeity's favourite band is Modest Mouse (if one considers his Last.fm page, which is probably a decent indicator). He has been frotihng at the bit at the thought of new material, and signed up to follow their photographer, Pat Graham, on his blog (RSS link) and twitter, and he diligently pointed out this delightful video of Isaac Brock, the lead singer, chastising one of those loudmouth cunts who go to a concert expecting it to not fulfil their snobby standards (in fact, probably on some level, conscious or otherwise, willing it not to meet those standards) and feel the need to share their displeasure with everyone, including the band.
Brock completely ripped him shreds, pointing out that the song they had played before was "old stuff", and speculated that the song he played was older than the heckling spore. Great Stuff. New material is promised later this year, so one waits.
Brock completely ripped him shreds, pointing out that the song they had played before was "old stuff", and speculated that the song he played was older than the heckling spore. Great Stuff. New material is promised later this year, so one waits.
Tuesday, March 24, 2009
The Grauniad's 1000 songs You must Hear
Every so often the Graun runs a week long list of 100 such and such things you must read/hear/choke on, with a conscience absence of the "before you die" suffix, presumably to absolve themselves from liability for condemning some poor hure to purgatory for not getting around to getting round to buying that obscure Icelandic band's fourth album that only came out on vinyl.
Anyhoo, last week, they did songs, and the accompanying website had a nifty Javascript thing that allowed you record your progress, so in a characteristic swathe of self-aggrandeur, the Egodeity presents the tracks he has heard, thus far:
Anyhoo, last week, they did songs, and the accompanying website had a nifty Javascript thing that allowed you record your progress, so in a characteristic swathe of self-aggrandeur, the Egodeity presents the tracks he has heard, thus far:
1000 songs everyone must hear
Love: part one of 1000 songs everyone must hear
My selection of 55 from the Guardian.co.uk list of 139
- The Shining (Badly Drawn Boy, 2000)
- God Only Knows (The Beach Boys, 1966)
- Good Vibrations (The Beach Boys, 1966)
- Wouldn’t It Be Nice (The Beach Boys, 1966)
- Eight Days a Week (The Beatles, 1964)
- I Want to Hold Your Hand (The Beatles, 1963)
- She Loves You (The Beatles, 1963)
- Something (The Beatles, 1969)
- With a Little Help from My Friends (The Beatles, 1967)
- Song for Whoever (The Beautiful South, 1989)
- How Deep is Your Love? (The Bee Gees, 1977)
- Crazy in Love (Beyoncé, 2003)
- Heroes (David Bowie, 1977)
- Hounds of Love (Kate Bush, 1985)
- The Man With the Child in His Eyes (Kate Bush, 1978)
- I Walk the Line (Johnny Cash, 1956)
- Yellow (Coldplay, 2000)
- Friday I’m in Love (The Cure, 1992)
- Pour Some Sugar on Me (Def Leppard, 1987)
- Visions of Johanna (Bob Dylan, 1966)
- One Day Like This (Elbow, 2008)
- I Say A Little Prayer (Aretha Franklin, 1968)
- The Power of Love (Frankie Goes to Hollywood, 1984)
- Let’s Stay Together (Al Green, 1971)
- Sweet Child O’ Mine (Guns N’ Roses, 1987)
- Stand By Me (Ben E King, 1961)
- You Really Got Me (The Kinks, 1964)
- Can’t Get You Out of My Head (Kylie Minogue, 2001)
- Madame George (Van Morrison, 1968)
- You’ve Got a Friend (Randy Newman, 1995)
- Oh, Pretty Woman (Roy Orbison, 1964)
- I Will Always Love You (Dolly Parton, 1974)
- Can’t Help Falling in Love (Elvis Presley, 1961)
- Love Me Tender (Elvis Presley, 1956)
- Unchained Melody (The Righteous Brothers, 1965)
- Umbrella (Rihanna, 2007)
- Be My Baby (The Ronettes, 1963)
- Valerie (Mark Ronson featuring Amy Winehouse, 2007)
- Will You Love Me Tomorrow? (The Shirelles, 1961)
- Bridge Over Troubled Water (Simon and Garfunkel, 1970)
- Fly Me to the Moon (Frank Sinatra, 1966)
- Love and Marriage (Frank Sinatra, 1955)
- There is a Light That Never Goes Out (The Smiths, 1986)
- I Got You Babe (Sonny and Cher, 1965)
- Wannabe (The Spice Girls, 1996)
- She Bangs the Drums (The Stone Roses, 1989)
- I Feel Love (Donna Summer, 1977)
- Baby Love (The Supremes, 1964)
- My Girl (The Temptations, 1964)
- Gloria (Them, 1964)
- Here Comes the Night (Them/Van Morrison, 1965)
- River Deep, Mountain High (Ike and Tina Turner, 1966)
- You Do Something to Me (Paul Weller, 1995)
- Music to Watch Girls By (Andy Williams, 1967)
- Lean on Me (Bill Withers, 1972)
1000 songs everyone must hear
Heartbreak: part two of 1000 songs everyone must hear
My selection of 46 from the Guardian.co.uk list of 145
- The Winner Takes It All (Abba, 1980)
- Never Ever (All Saints, 1997)
- You’ve Got to Hide Your Love Away (The Beatles, 1965)
- Heart of Glass (Blondie, 1978)
- One Way Or Another (Blondie, 1979)
- Ever Fallen in Love (With Someone You Shouldn’t’ve) (Buzzcocks, 1978)
- Since U Been Gone (Kelly Clarkson, 2004)
- Should I Stay Or Should I Go (The Clash, 1982)
- Crazy (Patsy Cline, 1961)
- So Long, Marianne (Leonard Cohen, 1967)
- The Scientist (Coldplay, 2002)
- Disintegration (The Cure, 1989)
- Layla (Derek and the Dominos, 1970)
- Warwick Avenue (Duffy, 2008)
- Don’t Think Twice, It’s All Right (Bob Dylan, 1963)
- Idiot Wind (Bob Dylan, 1975)
- Just Like a Woman (Bob Dylan, 1966)
- I Heard it Through the Grapevine (Marvin Gaye, 1967)
- I Want You Back (The Jackson 5, 1970)
- Tainted Love (Gloria Jones, 1964)
- Love Will Tear Us Apart (Joy Division, 1980)
- Caught Out There (Kelis, 1999)
- Mr Brightside (The Killers, 2003)
- Lola (The Kinks, 1970)
- Bleeding Love (Leona Lewis, 2007)
- Nothing Compares 2 U (Sinead O’Connor, 1990)
- Jolene (Dolly Parton, 1973)
- Every Breath You Take (The Police, 1983)
- Always on My Mind (Elvis Presley, 1972)
- Suspicious Minds (Elvis Presley, 1969)
- When Doves Cry (Prince, 1984)
- Everybody Hurts (REM, 1992)
- The One I Love (REM, 1987)
- I Know It’s Over (The Smiths, 1986)
- Please, Please, Please Let Me Get What I Want (The Smiths, 1984)
- Dry Your Eyes (The Streets, 2004)
- Last Nite (The Strokes, 2001)
- Back for Good (Take That, 1995)
- No Scrubs (TLC, 1999)
- With Or Without You (U2, 1987)
- Walk on By (Dionne Warwick, 1964)
- Gold Digger (Kanye West, 2005)
- Substitute (The Who, 1966)
- No Regrets (Robbie Williams, 1998)
- You Know I’m No Good (Amy Winehouse, 2006)
- A Man Needs a Maid (Neil Young, 1972)
1000 songs everyone must hear
People and places: part three of 1000 songs everyone must hear
My selection of 33 from the Guardian.co.uk list of 145
- New York, New York (Ryan Adams, 2001)
- A Certain Romance (Arctic Monkeys, 2006)
- Eleanor Rigby (The Beatles, 1966)
- Penny Lane (The Beatles, 1967)
- She’s Leaving Home (The Beatles, 1967)
- Strawberry Fields Forever (The Beatles, 1967)
- Johnny B Goode (Chuck Berry, 1958)
- Life On Mars? (David Bowie, 1971)
- Space Oddity (David Bowie, 1969)
- Minnie the Moocher (Cab Calloway, 1931)
- Folsom Prison Blues (Johnny Cash, 1955)
- Georgia on My Mind (Ray Charles, 1960)
- London Calling (The Clash, 1979)
- Mack the Knife (Bobby Darin, 1959)
- Like a Rolling Stone (Bob Dylan, 1965)
- Over the Rainbow (Judy Garland, 1939)
- Me and Bobby McGee (Janis Joplin, 1971)
- Waterloo Sunset (The Kinks, 1967)
- Sweet Home Alabama (Lynyrd Skynyrd, 1974)
- California Dreamin’ (The Mamas and the Papas, 1965)
- No Woman, No Cry (Bob Marley and the Wailers, 1974)
- Shine on You Crazy Diamond (Pink Floyd, 1975)
- Dirty Old Town (The Pogues, 1985)
- Rainy Night in Soho (The Pogues, 1985)
- Common People (Pulp, 1995)
- Homeward Bound (Simon and Garfunkel, 1966)
- Mrs Robinson (Simon and Garfunkel, 1968)
- Born to Run (Bruce Springsteen, 1975)
- Up the Junction (Squeeze, 1979)
- Born to Be Wild (Steppenwolf, 1968)
- The Boys Are Back in Town (Thin Lizzy, 1976)
- My Perfect Cousin (The Undertones, 1980)
- Wild Wood (Paul Weller, 1993)
People and places: part three of 1000 songs everyone must hear
1000 songs everyone must hear
Sex: part four of 1000 songs everyone must hear
My selection of 43 from the Guardian.co.uk list of 131
- You Shook Me All Night Long (AC/DC, 1980)
- Love in an Elevator (Aerosmith, 1989)
- Smile (Lily Allen, 2006)
- When The Sun Goes Down (Arctic Monkeys, 2006)
- Girls and Boys (Blur, 1994)
- Get Up (I Feel Like Being a) Sex Machine (James Brown, 1970)
- Let’s Make Love and Listen to Death from Above (CSS, 2006)
- Say My Name (Destiny’s Child, 1999)
- Come On Eileen (Dexys Midnight Runners, 1982)
- I Touch Myself (Divinyls, 1991)
- I Want You (Bob Dylan, 1966)
- Relax (Frankie Goes to Hollywood, 1983)
- Sledgehammer (Peter Gabriel, 1986)
- Let’s Get It On (Marvin Gaye, 1973)
- Sexual Healing (Marvin Gaye, 1982)
- No Pussy Blues (Grinderman, 2007)
- Bob’s Yer Uncle (Happy Mondays, 1990)
- You Sexy Thing (Hot Chocolate, 1975)
- Saving All My Love for You (Whitney Houston, 1985)
- I Just Want to Make Love to You (Etta James, 1961)
- Super Freak (Rick James, 1981)
- Milkshake (Kelis, 2003)
- Ignition (Remix) (R Kelly, 2003)
- Khia (My Neck, My Back (Lick It), 2002)
- Sex On Fire (Kings of Leon, 2008)
- Lady Marmalade (Labelle, 1974)
- Whole Lotta Love (Led Zeppelin, 1969)
- Tutti Frutti (Little Richard, 1955)
- Justify My Love (Madonna, 1990)
- Electric Feel (MGMT, 2008)
- Bizarre Love Triangle (New Order, 1986)
- Roxanne (The Police, 1978)
- Little Red Corvette (Prince, 1983)
- Kiss (Prince and the Revolution, 1986)
- Honky Tonk Women (The Rolling Stones, 1969)
- Reel Around the Fountain (The Smiths, 1984)
- … Baby One More Time (Britney Spears, 1998)
- I Wanna Be Your Dog (The Stooges, 1969)
- Animal Nitrate (Suede, 1993)
- Get It On (T Rex, 1971)
- Wild Thing (The Troggs, 1966)
- Desire (U2, 1988)
- Venus in Furs (The Velvet Underground, 1967)
1000 songs everyone must hear
Politics and protest: part five of 1000 songs everyone must hear
My selection of 50 from the Guardian.co.uk list of 141
- Another World (Antony and the Johnsons, 2008)
- Windowsill (Arcade Fire, 2007)
- I Am the Walrus (The Beatles, 1967)
- Revolution (The Beatles, 1968)
- War Pigs (Black Sabbath, 1971)
- Cop Killer (Body Count, 1992)
- And the Band Played Waltzing Matilda (Eric Bogle, 1971)
- Army Dreamers (Kate Bush, 1980)
- Straight to Hell (The Clash, 1982)
- White Riot (The Clash, 1977)
- Ohio (Crosby, Stills, Nash and Young, 1970)
- Thou Shalt Always Kill (Dan Le Sac vs Scroobius Pip, 2007)
- Maggie’s Farm (Bob Dylan, 1965)
- The Times They Are a-Changin’ (Bob Dylan, 1964)
- Role Model (Eminem, 1999)
- Two Tribes (Frankie Goes To Hollywood, 1984)
- Respect (Aretha Franklin, 1967)
- I Fought the Law (Bobby Fuller Four, 1965)
- What’s Going On? (Marvin Gaye, 1971)
- The Message (Grandmaster Flash and the Furious Five, 1982)
- American Idiot (Green Day, 2004)
- The Star-Spangled Banner (Jimi Hendrix, 1969)
- The Eton Rifles (The Jam, 1979)
- Going Underground (The Jam, 1980)
- Material Girl (Madonna, 1985)
- Redemption Song (Bob Marley, 1980)
- Kick Out the Jams (MC5, 1968)
- Big Yellow Taxi (Joni Mitchell, 1970)
- Police and Thieves (Junior Murvin, 1976)
- Fuck tha Police (NWA, 1988)
- Monkey Gone to Heaven (Pixies, 1989)
- Streets of Sorrow/Birmingham Six (The Pogues, 1988)
- In the Ghetto (Elvis Presley, 1969)
- Come Together (Primal Scream, 1990)
- Sign o’ the Times (Prince, 1987)
- Bring the Noise (Public Enemy, 1987)
- Fight the Power (Public Enemy, 1989)
- Killing in the Name (Rage Against the Machine, 1992)
- Anarchy in the UK (Sex Pistols, 1976)
- God Save the Queen (Sex Pistols, 1977)
- Ghost Town (The Specials, 1981)
- Born in the USA (Bruce Springsteen, 1984)
- War (Edwin Starr, 1970)
- Suspect Device (Stiff Little Fingers, 1978)
- Sunday Bloody Sunday (U2, 1983)
- We Are the World (USA for Africa, 1985)
- Get Up, Stand Up (The Wailers, 1973)
- My Generation (The Who, 1965)
- Rockin’ in the Free World (Neil Young, 1989)
- Southern Man (Neil Young, 1970)
Politics and protest: part five of 1000 songs everyone must hear
1000 songs everyone must hear
Life and death: 1000 songs everyone must hear
My selection of 35 from the Guardian.co.uk list of 131
- Fluorescent Adolescent (Arctic Monkeys, 2007)
- What a Wonderful World (Louis Armstrong, 1968)
- Yesterday (The Beatles, 1965)
- Paranoid (Black Sabbath, 1970)
- (Don't Fear) The Reaper (Blue Ă–yster Cult, 1976)
- This Is a Low (Blur, 1994)
- School’s Out (Alice Cooper, 1972)
- Killing an Arab (The Cure, 1978)
- Personal Jesus (Depeche Mode, 1989)
- Sunshine Superman (Donovan, 1966)
- Knockin’ On Heaven’s Door (Bob Dylan, 1973)
- Regulate (Warren G and Nate Dogg, 1994)
- Hey Joe (The Jimi Hendrix Experience, 1966)
- Someone Great (LCD Soundsystem, 2007)
- Baggy Trousers (Madness, 1980)
- La Tristesse Durera (Scream to a Sigh) (Manic Street Preachers, 1993)
- Safe from Harm (Massive Attack, 1991)
- Fade to Black (Metallica, 1984)
- Lithium (Nirvana, 1991)
- Mo Money Mo Problems (The Notorious BIG, 1997)
- Live Forever (Oasis, 1994)
- Ms Jackson (OutKast, 2000)
- 9 to 5 (Dolly Parton, 1980)
- Another Brick in the Wall, Part II (Pink Floyd, 1979)
- Message in a Bottle (The Police, 1979)
- Glory Box (Portishead, 1994)
- Sour Times (Portishead, 1994)
- Paranoid Android (Radiohead, 1997)
- (Sittin’ On) The Dock of the Bay (Otis Redding, 1968)
- Paint it Black (The Rolling Stones, 1966)
- Feeling Good (Nina Simone, 1965)
- It Was a Very Good Year (Frank Sinatra, 1965)
- Psycho Killer (Talking Heads, 1977)
- One (U2, 1992)
- Old Man (Neil Young, 1972)
1000 songs everyone must hear
Party songs: part seven of 1000 songs everyone must hear
My selection of 58 from the Guardian.co.uk list of 162
- Dancing Queen (Abba, 1976)
- Back in Black (AC/DC, 1980)
- Because I Got High (Afroman, 2001)
- Windowlicker (Aphex Twin, 1999)
- I Bet You Look Good On the Dancefloor (Arctic Monkeys, 2005)
- Re-Rewind (The Artful Dodger featuring Craig David, 1999)
- 9pm (Till I Come) (ATB, 1999)
- Love Shack (The B-52’s, 1989)
- (You Gotta) Fight for Your Right (To Party) (Beastie Boys, 1987)
- Night Fever (Bee Gees, 1978)
- Let’s Dance (David Bowie, 1983)
- Shake Your Tailfeather (Ray Charles, 1980)
- Le Freak (Chic, 1978)
- Brimful of Asha (Cornershop, 1997)
- Da Funk (Daft Punk, 1995)
- Groove Is in the Heart (Deee-Lite, 1990)
- Just Can’t Get Enough (Depeche Mode, 1981)
- Hit Me With Your Rhythm Stick (Ian Dury and the Blockheads, 1978)
- Biology (Girls Aloud, 2005)
- Dare (Gorillaz, 2005)
- Over and Over (Hot Chip, 2006)
- Jump Around (House of Pain, 1992)
- Last Night a DJ Saved My Life (Indeep, 1982)
- Don’t Stop ’Til You Get Enough (Michael Jackson, 1979)
- Off the Wall (Michael Jackson, 1979)
- I Love Rock’n’Roll (Joan Jett and the Blackhearts, 1982)
- Transmission (Joy Division, 1979)
- Louie Louie (The Kingsmen, 1963)
- Golden Skans (Klaxons, 2007)
- My Sharona (The Knack, 1979)
- Girls Just Want to Have Fun (Cyndi Lauper, 1983)
- Can’t Stand Me Now (The Libertines, 2004)
- Beautiful Stranger (Madonna, 1999)
- Holiday (Madonna, 1983)
- Kids (MGMT, 2008)
- Paper Planes (DFA remix) (MIA, 2008)
- Hot in Herre (Nelly, 2002)
- True Faith (New Order, 1987)
- Cigarettes and Alcohol (Oasis, 1994)
- Hey Ya! (OutKast, 2003)
- Streams of Whiskey (The Pogues, 1984)
- Loaded (Primal Scream, 1991)
- 1999 (Prince, 1983)
- Out of Space (The Prodigy, 1992)
- Feel Good Hit of the Summer (Queens of the Stone Age, 2000)
- House of Jealous Lovers (The Rapture, 2002)
- All Night Long (All Night) (Lionel Richie, 1983)
- Witness (1 Hope) (Roots Manuva, 2001)
- Nite Klub (The Specials, 1979)
- You Make Me Feel (Mighty Real) (Sylvester, 1978)
- How Soon Is Now? (The Smiths, 1985)
- Young Hearts Run Free (Candi Staton, 1976)
- Wipe Out (The Surfaris, 1962)
- Rapper’s Delight (The Sugarhill Gang, 1979)
- Shout (Tears for Fears, 1984)
- A Punk (Vampire Weekend, 2008)
- My Generation (The Who, 1965)
- (Your Love Keeps Lifting Me) Higher and Higher (Jackie Wilson, 1967)
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